Friday, July 13, 2012

Torch Through the Underworld

I am quickly trying to relay information that I've come across about London 2012 before the Opening Ceremony kicks off on the 27th. I feel this background will help to shed light on what is going on.




Into the Duat


Something that does not appear to have been noticed yet concerns the official Torch Relay. This year the relay arrived from Greece to Britain and began its meandering course on May 19th, running for exactly 70 days. What else do we know that begins in mid-May and continues for 70 days? People interested in astronomy and ancient traditions will realize that this is the traditional period of the journey of Sirius through the Underworld, the Duat. This is the time of year when Sirius is invisible to the naked eye on Earth.

It may be that this is exactly what is being represented during the Torch Relay. The lighting of the Cauldron at the Opening Ceremony on the 27th is symbolic of the heliacal rising of Sirius. 



We know, though, that the heliacal rising over London takes place in the second week of Aug. not on July 27th. Clearly, this appears to be a symbolic alignment not simply a physical one.
However, as one great researcher, known as Monk, has calculated, Sirius sets with the Sun on May 17th/18th, when the Torch arrives at the southern most tip of Britain in Lands End, and the Torch is finally put out on Aug. 12th, the last day of the Olympics, when incredibly Sirius rises with the Sun.
 

So far, this is the first mention of Sirius on this blog, but it will be shown in the course of things that this star in particular plays a huge role in the shift of the Ages that may be occurring right now.

The 70 day period of the boat journey of Sirius through the Duat, or underworld, was significant in Egypt because the rising of Sirius with the Sun, later called the Dog Days (Sirius being the Dog Star), coincided with the inundation of the Nile River bringing with it needed nourishment to the Delta and its crops.

 

This 70-day journey of Sirius was honoured in Ancient Egypt in the mummification process. The following is taken from www.king-tut.org.uk :

Egyptian Mummification Process - The 70 Day Rule
The mummification process lasted for a period of 70 days. The 70 day period corresponded to the length of time during which Sirius, the 'Dog Star', appeared to die by dipping below the horizon. The 70 day rule applied to all classes of Egyptians - rich or poor. The 70 day mummification process for wealthy Egyptians was divided into the following activities:
  • 15 days spent on cleansing and purification
  • 40 days drying period
  • 15 days wrapping, bandaging and paintings
 

Is this why the Torch Relay around Britain is exactly 70 days? Have we, collectively, during this time been traveling through the underworld? Again, this seems to be an outrageous suggestion. When we examine other aspects of the Torch Relay, including the Torch itself, perhaps this suggestion becomes a little more palatable (or even more absurd!)

Journey Through the Centre of the Earth


 

The three-sided Torch, among other things, represents the three London Olympics in 1908, 1948 and 2012. In a subsequent posting I will show how the two prior Olympics of 104 years ago and 64 years ago connect with this year's Venus Transit. A fascinating fact, though, is that 8000 holes perforate the Torch.

Why 8000? We are told that this symbolizes the 8000 torch-bearers involved in the relay. But why 8000 torch-bearers? Again, we are told these correspond with the 8000 miles of the relay. This begs the question -- why 8000 miles? It is clear from looking at the map showing the route of the relay that several crisscrosses of Britain are required to total 8000 miles. 


 File:2012 Summer Olympics torch relay map.svg

So why 8000? A possible answer is that the diameter of the Earth is roughly 8000 miles. The relay around the UK could be intended as a microcosmic journey through the Earth. It is also interesting that the Earth's diameter, being variable depending on location, is often rounded off to 8000 miles or 13000 kilometers. This ratio of 8:13 will turn up significantly in examination of the Venus transit.

 
http://www.pbs.org/wgbh/nova/teachers/activities/images/3012_elegant_supglobe.gif

The 12800 km equivalent given for the Torch Relay is an even more accurate estimate of the Earth's diameter in kilometers, but 13000 km is cited often. Here we have the number 13000 yet again. 


8000 miles would be the rough distance from one side of the Earth, through the core, to the opposite side. This is exactly the journey that Dante took, led by Virgil, in the underworld of the Inferno. In her book on Dante's Divine Comedy scholar Kathryn Lindskoog points out that while Dante's estimate of the Earth's circumference was wrong, we know today that he would have travelled this distance:

To get to the center and out the other side would be a trip of about 8000 miles.

8000 miles, then, is another very strong clue, along with its 70 day duration, that the Torch Relay represents a trip through the underworld. 


Doré, Bertran de Born

There could also be a relation between Dante's trip through the underworld and the voyage of Sirius through the Duat. Dante's journey is set to exactly match the three days that Christ visited and conquered Hell. It also takes place from Good Friday to Easter Sunday. According to the Bible, Christ compared the time he would soon spend in the underworld with the three days that Jonah spent in the belly of the whale. Each of these involves an underworld ordeal lasting three days.




Many Christians reckon this three day period as being 72 hours. Other Christian scholars point out that the period was likely slightly less than this. They speculate that it was 70 hours that Christ spent in Hell, matching the 70 years the Israelites were held captive in Babylon, the 70 week prophecy of Daniel, etc. Is 70 hours in the underworld resonant with 70 days in the underworld? 




On the other hand, Sirius also has connections to 72. Traditionally Sirius is the leader of the 36 decan stars, which are often doubled to 72 dodecan stars.

The World Mountain


When Dante and Virgil finally surface on the opposite side of the Earth they reach the foot of the Mountain of Purgatory (the antipodes of Jerusalem or Zion). Here's what Dante's cosmology looks like:

 
http://www.johncoulthart.com/feuilleton/wp-content/uploads/2008/08/dante3.jpg

Notice that the Earthly Paradise, or Eden, is on the summit of Mount Purgatory. From here there is an angelic ladder into the seven Heavens and beyond. Here is a closer view of the Mountain of Purgatory with its seven spiraling terraces:



http://jimmyallenfinalproject.files.wordpress.com/2011/04/ll_purgatory.jpg

This is where everything meshes perfectly with Danny Boyle's plans for the Opening Ceremony on July 27th. After passing for 70 days on an 8000 mile journey, equivalent to passing through the Earth and its underworld, the Flame lights the Cauldron towards the base of the Mountain of Purgatory -- the Gastonbury Tor.
 


The myths and legends surrounding the Glastonbury Tor are abundant; it is where Joseph of Arimathea brought his young nephew Jesus, it is the location of the Holy Grail, it is the Isle of Avalon, it is where King Arthur is buried, it is a portal to the underworld, etc. A more modern mythology has it as the centre of the Glastonbury Zodiac -- this also matches the circle of 120 animals at the opening ceremony.


The monks at Glastonbury Abbey themselves believed that the Tor was the Mountain of Purgatory. Like the mountain represented by Dante, the Glastonbury Tor also has a spiraling path of seven terraces.

http://i1.mirror.co.uk/incoming/article816835.ece/ALTERNATES/s615/Glastonbury+Tor+in+Somerset
   

The other curious feature about the Glastonbury Tor that concerns us is the alignment it makes every year on the Winter Solstice:

The Winter Solstice Sun will remain close to the Galactic Core for the next few decades. Thus an observer on the Mound at the Winter Solstice is aligned through Glastonbury Tor with the heart of the Milky Way.

http://www.everythingselectric.com/images/solarobservatory/glastonbury-tor-winter-solstice-windmill-hill.jpg

In a symbolic sense, the two and a half weeks of the Games is the ascent of Purgatory. Both Mount Purgatory and Mount Olympus are different depictions of the same archetype -- the World Mountain. The Olympic motto of  "Citius, Altius, Fortius" or "Faster, Higher, Stronger" is a pledge to humanity to use all possible excellence to conquer this Mountain. The Olympian athletes strive to reach the great halls of the gods. Dante's own mythology is Christian instead of pagan but the archetypal imagery is identical. 


Is this, then, the greater message of the London Olympics? That after passing through the underworld of the Torch Relay, and scaling up the seven terraces of the Mountain of Purgatory during the Games themselves, we finally, like Dante, reach the Garden of the Earthly Paradise at the summit, and from here is the imminent ascent up the ladder of the celestial Spheres. Is this where 2012 leads to? 


Doré, Ladder

Oaken Door to the Stars


A final clue is that in the Opening Ceremony set the Glastonbury Tor is not capped with St. Michael's Tower, as it is in reality, but with a massive oak tree. This is the World Tree atop of the World Mountain -- the centre of the mandala.

























St. Michael himself is appropriate because he is the Cherub with the flaming Sword who guards the gates of Paradise. It is fitting that St. Michael's Tower should guard the summit of Purgatory.
http://mballestero.files.wordpress.com/2010/08/adam_eve_driven_out.jpg

The Oak takes us back to a deeper and older set of symbolism. It is no coincidence that the oak is also the tree most associated with the Door -- doors being most commonly constructed from oak wood. In the ancient Celtic Tree Language, the Ogham, the equivalent of our letter D is "Dair/Duir" which means oak. This exactly corresponds with Delta in Greek and Daleth in Hebrew. This latter is the D of Da'ath, the "hidden" sephiroth representing Knowledge on the Tree of Life (this will be discussed in depth in a later blog entry). 

It is the Door to and from the Abyss, and it is crafted with oak. Will this Door to the stars open up at the end of the Games? 




Midsummer of Ice


Several significant events have happened during this 70 day "underworld" period as the Torch made its way back and forth across the UK. We have looked at Christ's journey to Hell, but significantly thirty is the age when Jesus took up his ministry and it is also the age that Prince William turned, following his birthday on the Solstice. Appropriately, this coincides with the Games of the XXXth Olympiad.

On the net it is possible to come across many theories equating Prince William with the Antichrist. I don't take these things literally, and this blog will later explore the idea that Christ and Antichrist act as mutually dependent Hero Twins, but these theories provide interesting background.

It's interesting, though, that halfway through the 70-day Torch Relay, presumably the darkest point of the Underworld, was the Summer Solstice and Prince William's thirtieth birthday. The brightest day of the year in the upper world is also the darkest night in the Duat. 

In Dante's trip to hell the lowest point, at the core of the Earth where the gravest sins are punished, the Pilgrim finds the horrid form of Lucifer frozen in ice below his waist. The Devil's penis is situated at the exact gravitational centre of the Earth and therefore of the entire medieval universe.

 

A noteworthy aside is that the oak rules midsummer (June 21st), and Prince William's full name is William Arthur Philip Louis -- King Arthur's connection with the oak and Glastonbury Tor have already been alluded to. 

The Vajra Jubilee


William turns 30 and it is the 30th Olympics. 30 doubled is 60 and 2012 also happens to mark the 60th anniversary of Queen Elizabeth's reign. This year is her Diamond Jubilee and the celebrations of this are intimately tied up with the Olympics. The Olympic park will later be named the Queen Elizabeth Olympic Park in honour of the Diamond Jubilee.



There is a bunch of interesting symbolism involved in the Diamond Jubilee, but the diamond itself seems most relevant. In the East, the diamond is symbolized by the vajra which is also the thunderbolt.

In Buddhism and Hinduism the vajra is a symbol of cutting through the illusion of the world, but originally it was wielded by the thunder god, Indra. Indra is the equivalent to the thunder gods of the various other Indo-European pantheons. Zeus, Jupiter, Thor and others all held the power of the thunderbolt/vajra. Along with the thunderbolt, the
oak tree is a closely aligned symbol for these same gods.



We notice that in Zeus' most sacred shrine and oracle at Dodona that the oak tree was the central symbol. In the below images, we see Zeus wielding his thunderbolt and Indra holding the vajra. The symbology of the two is identical.





That this cluster of symbolism -- Diamond/Thunderbolt/Vajra/Oak/Door -- is very consciously connected with the Queen and her Jubilee is shown by the fact that the first official event of the Jubilee was the Queen's planting of an oak tree on Feb. 6. Here's an article describing the ceremony and comparing the Queen herself to a sturdy oak:

Robust: The Queen displays the common sense of a British countrywoman

Just as the ancient thunder gods, with Zeus the Olympian most prominently, acted as guardians of the threshold to higher realms, so the British monarchs as the successors to the gods also guard the Door. The Queen symbolizes the Guardian and during this year of her Diamond Jubilee this symbolism is more resonant than ever. Both the Diamond and the Thunderbolt have the power to burst through the Door.



In the East, the vajra is always coupled with the bell. This is another example of the conjoining of male and female symbols, resonant of the obelisk and the dome. The diamond in the Queen's Jubilee is the vajra and there is no confusion in the fact the Queen, a woman, is bearing a male symbol. As the reigning monarch she is playing a traditionally male role.



The crystal she uses to light the Palace beacon of her Jubilee recalls another event that happened more recently during the 70-day period.



The opening of the crystalline Shard, on July 5th, is another representation of the diamond or vajra. But where is the bell? Oh yeah, at the Olympics -- the biggest in Europe.

















Bearers of the Torch


The official mythology of the Olympic Torch counts the Titan Prometheus as the first torch bearer. It was Prometheus who stole fire from the gods and gave it to humanity.




It should come as no surprise that the new Ridley Scott movie, Prometheus -- with its ancient
astronaut theme, was released during the end of May and early June, well into the 70-day Torch Relay.


The first modern Olympic Torch bearers are not now as revered as Prometheus, although they too had Promethean aspirations. The modern tradition of the Olympic Torch Relay began with the 1936 Berlin Olympics -- the so-called Nazi Games. Monk has brought this photo, a statue of a torch bearer at an athletic training centre at Ordensburg Vogelsang, to my attention. The statue has the following inscription, translated from German:

You are the torch bearers of the nation. You carry forward the spirit of light in the fight for Adolf Hitler.

Is this also Prometheus? Is this the spirit of the Olympics?

  















It could be, though, that the Torch Relay of London 2012 has a different guiding mythology then Prometheus, at least below the surface. If the torch really is making a 70-day underworld journey then maybe the torchbearer could be more accurately represented as Iacchus. 

Iacchus, usually identified as the god Dionysus, was the torch-bearing attendant of Demeter to Hades to rescue Demeter's daughter Persephone. In the ritualized reenactment of this myth during the Mysteries a dual torch-bearing youth led the procession of initiates from Eleusis. Along the way people shout out in joy to him, "O Iakkhos! O Iakkhos!"

Iacchus was called "the light-bringing star of our nocturnal rite" by Aristophanes in his play The Frogs. The star mentioned was most certainly Sirius and, if so, this takes us back to the theme of the 70-day journey of Sirius through the Duat. Are the same mythological themes being repeated in Ancient Egyptian, Ancient Greek, and Modern Olympian ritual settings?


 Iacchus & Hecate, the Eleusinian gods | Greek vase, Athenian red figure pelike























The Epic Underworld 


Demeter's journey to the underworld is of course not the only in classical literature. In Homer's Odyssey, the Greek hero of the Trojan War, Odysseus, finds it necessary to visit Hades to speak to Tiresias in order to attain knowledge about his return home to Ithaca. Here he is shown harangued by the "shades":

 

Eight hundred years later the story continues with Virgil's Aeneid, although the Roman poet takes the side of the Trojan hero, Aeneas, and often calls Odysseus deceptive and cruel. Aeneas himself is led through the underworld by the Cumaean Sibyl, a prophetess of Apollo. The Sibyl will play a major role in history elsewhere, as we'll find out. In Hades, Aeneas is allowed to see the future leaders of the Roman Empire.



It's fascinating that 1300 years after Virgil the story still continues. In Dante's Divine Comedy, it is now Virgil who is leading the Pilgrim through the underworld. From Homer to Virgil to Dante this story, told in epic verse, has continued for more than two thousand years. But the underworld journey is much older than even Homer. We can find this same ordeal in the Epic of Gilgamesh, dating from the 18th century BC.



Is the story continuing even now with the 70-day Torch Relay through the underworld for London 2012? Could it be reaching some sort of a climax?

Maybe the biggest error researchers can make is to assume that one event will change everything. There are huge events -- certainly 9/11 was one of them -- but mostly the events/rituals that we've been tracing take on more meaning when looked at as a process or a sequence. 

The Shadow Surfaces


Much has already happened already during this 70-day period, and plenty that is "underworld" in character. There have been reports of zombies, vampires and giant mutant spider attacks. Several sinister international meetings have been held. There have been wars and rumours of wars. There have been huge demonstrations. There have been multiple attempts to stave off total economic collapse. Massive obelisk-like towers have been erected. Things appear to be on the boil.

G20_Mexico Official Logo

In addition to the spectacles held on Earth surrounding the Queen's Jubilee and, to a much lesser extent, Prince William's coming of age birthday, there have also been signs in the Heavens. There was a relatively rare annular eclipse of the Sun on 5/20 (its ring perhaps reflecting the Olympic rings), and the biggest astronomical event of 2012 -- the return transit of Venus. These will be the subject of the next post.  

The intent here is not to cause fear and alarm -- quite the opposite, as awareness is strength. This blog is also open to the criticism that it is finding patterns where none really exist. The point, though, is that many others are finding the same patterns. This phenomenon in itself -- call it collective delusion if you want -- is worthy of close study. Why is it happening?

If the pattern does exist, though, if the 70-day, 8000 mile Olympic Torch Relay does represent a journey through the underworld, a kind of mass initiation, then what happens next? What happens when Sirius, both symbolically and physically, rises with the Sun? What happens when the Torch appears in the Stadium and the great Cauldron is lit at the base of the World Mountain? If this is collective delusion it is far more entertaining than anything out of Hollywood. Hold onto yer hats!






 

 

 

 

 

 

 

Prayer 


To banish all fear, here's William Blake at the end of Jerusalem  with what I hope will be the real outcome of London 2012:
Awake! Awake Jerusalem! O lovely Emanation of Albion
Awake and overspread all Nations as in Ancient Time;
For lo! the Night of Death is past and the Eternal Day
Appears upon our Hills: Awake Jerusalem, and come away!

Saturday, July 7, 2012

The Mills of Satan

The rich symbolism of the London Olympic Games is being explored on this blog as a means to discover deeper insights into the nature of reality. The Games provide a kind of talismanic mesocosm between the microcosm of the individual imagination and the universal mind of the macrocosm. If there is any real meaning to the year 2012 its traces will certainly be found in the London Olympics. To blindly assume either negative or positive eventualities is mistaken. Instead, like at all points of great transformation, it is possible that all things are converging at once. What this may mean is the true study of this blog.

Ley Lines of Zion


In this regard, an extremely interesting article appeared in the Londonist entitled, "The Secret Ley Lines Of The Olympic Gold Medal." The author of the piece noticed that the medal design matches up perfectly with the double bend in the River Thames, and with other features in the city geography around the site of London 2012.

The medal aligned with the map

The medal design faded into the map

Points within the design identified as landmarks on the map

It would likely be very fruitful to extend out these "leylines" over Britain and to note what falls on them. The overall story of London 2012 would be enriched by such research. Leaving that to others, though, I'd like to focus on the area shown in this map. Where have people seen this before?

The Bend in the River


Remarkably, this particular section of Greater London has been seen by millions of British people during weekdays on primetime television every year since 1985. I am, of course, referring to the immensely popular BBC soap opera, EastEnders. Here is the original opening sequence from 1985:


Is it a coincidence that this is exactly the area that 27 years later appears as the background on the London 2012 medals, branded with the "Zion" logo? Were people for all of these years being conditioned to pay attention to this particular part of Greater London? Talk about predictive programming!

The opening sequence has changed over the years, with sequences showing the Millennium Dome (now O2) after 2000 and showing the Olympic Park after January of this year, but its music and the aerial map-like view of the land surrounding the distinctive bend in the Thames has remained constant. A 2008 poll revealed that the show's theme song is more recognizable to British people than "God Save the Queen". If the song is this widely known then surely the image of this particular area of East London is also boldly imprinted in the minds of UK citizens.

By now it is as familiar, and therefore as seemingly innocent, as water is to fish. Any suggestion that it could be otherwise is likely to be met with howls of ridicule. If I was entirely literal-minded I might be concerned about this.

The show itself, however, has a direct connection with the 2012 London Olympics. It is well known that the postal district of the neighbourhood depicted in EastEnders has the code E20. There is even a spin-off of the show entitled EastEnders: E20. This postal district was entirely fictitious, but it has become the actual postal district of the 2012 Olympic Park. E20 has, in this way, also been fixed in the public consciousness since 1985. E20 can be read as 520 and this number will also gain relevance as this analysis unfolds.

The Dome and the Obelisk


If the EastEnders opening sequence is somehow foreshadowing the 2012 Olympics it also reveals the future location of the Millennium Dome on the Greenwich Peninsula, which was opened more than twelve years before this year's Games. Does the Dome also enter into the bigger narrative leading up to London 2012? 

The Dome's opening was set to coincide with the millennium celebrations of January 1st, 2000. As the prime meridian runs along its western side, the millennium was said to have started there. The Dome is 365 metres in diameter, matching the days of the year, and it is topped with 12 prominent support towers to reflect the 12 hours on a clock face, the 12 months of a year, and perhaps symbolically the 12 astrological ages of a Great Year.

The feminine dome is occultly conjoined with the phallic Canary Wharf  (One Canada Square) on the nearby Isle of Dogs. Similar architectural couplings are found in cities throughout the world, and as monuments of the past. 
 

Both sites were built in former industrial zones -- the Dome was constructed on land contaminated by toxic sludge -- and were part of a project to "green" East London. The Dome was refashioned as the O2 entertainment district in 2005 which will host various Olympic events.

The Measure of Time and Space


If the Millennium Dome does play a role in the buildup to London 2012, then maybe we need to stretch the timeline back quite a bit further. As mentioned, the prime meridian passes right next to the Dome and it is runs very close to the Olympic Stadium.

 http://www.bouwman.com/world/Europe/UnitedKingdom/London.jpg

The meridian at Greenwich was accepted as the universal prime meridian at an international conference in Washington D.C. in 1884, but it had already been used as such for decades previously. But why Greenwich? The obvious answer is that this was the meridian that passed through the Royal Observatory, Greenwich, which was originally built in 1675. The Royal Observatory has been directed by fifteen successive Astronomer Royals since 1675, and the Royal Observatory in a sense has become the centre of both space and time.

Is the Greenwich prime meridian the real the reason why this area has attracted so much attention since 1985 -- as the setting of a hit soap opera, as the centre of the world's millennial celebrations, as the location of London's third Olympics? Even to pose this question appears ridiculous. How could it be? And in any case, it begs another question: why was the Royal Observatory constructed in this location in 1675? Is it on a leyline? Anyone?

http://upload.wikimedia.org/wikipedia/commons/d/d5/Prime_meridian.jpg

The Vision Darkens


At the end of June, new details emerged about the fast approaching Opening Ceremony directed by Danny Boyle. The London Evening Standard's headline ran: "London Olympic 2012: green and pleasant land will give way to dark Satanic mills." If there was any doubt that London 2012 is using Blake, and particularly his words used in the hymn, Jerusalem, as a kind of script then surely it can be put to rest after this.

Aerial photos taken from over the Stadium show a dark and desolate industrial landscape, which many on the web were quick to conclude depicted the aftermath of the supposed coming nuke attack. It's interesting that the article compared the set directly to the EastEnders sequence:

Covering almost the entire centre of the stadium, the new set resembles the opening credits of EastEnders and features a representation of the Thames running through the streets of London.

Very clearly, we are to pay close attention to this area.

 

The Temple and the River 

 

The Olympic park is situated in the Lower Lea Valley. The Lea River flows into the Thames directly across from the Dome.

The Lea Valley has a long history of being an industrial wasteland and it is only in recent years that efforts have been made to clean it up. Once again, the transformation of the dark Satanic mills to the green and pleasant land appears to match this area very well.




The area around the Olympic Park at one point did supports mills, some of which go back to the days of the Knights Templar. The "temple" in nearby Temple Mills refers to the Templars. The late Rik Clay intuitively grasped early on the significance of some of the names of streets and other features which surround the Olympic Park.



An article from 2008 discusses the discovery of a Victorian-era cobblestone street by archeologists more concerned with locating the original Templar mill:

His team of archaeologists from the Museum of London are carefully digging up the cobblestones and stockpiling them to be laid down in the new Olympics park.Then they begin digging deeper to search for evidence of the original Knights Templar mill, known as Temple Mills, which started the industrialisation of the Lea Valley.

The article later provides some of the history of the Templars in the Lower Lea Valley:

The Knights Templar built a water mill at Temple Mills between 1185 and 1278. A second mill was built on the opposite side of the mill stream in 1308.

A similar article about the same discovery appears on the official London 2012 website.

While the original Templar mill has yet to be found, the history of subsequent mills in the valley is much better known. The Lower Lea Valley was a major centre for the production of gunpowder and other munitions. Farther up the valley, to the north of the Olympic Park, were the Royal Gunpowder Mills which shipped their products down the Lea to the Thames. About a mile from the Park though is the famous Three Mills Island industrial centre, which include the famous House Mills. One of these three mills was also known to have been a "gunpowder mill."

http://upload.wikimedia.org/wikipedia/en/0/09/House_Mill_%26_Clock_Mill.jpg

An article on the House Mills website explains how these mills helped supply "the Royal Navy in its campaign against Britain’s upstart colony across the Atlantic." This area was a major hub in Britain's campaign against the American Revolution.

This all brings us back to Blake.

Prophet Against Empire


Blake was a huge supporter of the revolutionaries in America, and later wrote a major poem, America, a Prophecy, to commemorate the revolution. Blake's wider prophecy concerning America was that it was to provide the spark for the spread of democratic revolution across the world deepening and culminating in the Final Judgement and ultimate revelation. Blake's ideas on this will be explored in detail as the blog progresses.

Blake was entirely against the war efforts of the British against the Americans, and later against the French, and there is good reason to suggest that the "dark Satanic Mills" in question here are precisely the mills of the Lower Lea Valley. Blake scholar, David Erdman, points to this in his book Blake: Prophet Against Empire: 

But "dark Satanic Mills" are mills that produce dark metal, iron and steel, for diabolic purposes... London was not a mill or factory city, though there was some small scale recasting and reforging of northern iron. But it was a war arsenal and the hub of the machinery of war, and Blake uses the symbol in that sense (p.396).

If it is the case that the Three Mills complex was involved in these "diabolic purposes," which history says it was, then the "dark Satanic Mills" both symbolically and physically were located almost exactly at the site of London 2012 -- the New Jerusalem.

 

Enter the Wake


To close, I'll just include one more obscure literary reference in an already absurd post about the site of London 2012. This comes from James Joyce's Finnegans Wake, a book also about a river and mountain on one level.

Joyce was a big fan of Blake -- and some say a disciple of sorts. Like Blake, Joyce, and especially in the Wake, is considered a prophet by some and possibly by himself. This blog will get heavily into the Wake as it evolves. For now, though, here are some suitably cryptic phrases from page 602. Keep in mind that a theory for the origin of the ancient Olympic Games is that they developed out of funeral games like those described by Homer in The Iliad.

The Games funeral at Valleytemple... And there, from out of the scuity, misty Londan...